Fuji HS20 — Know your White Balance
My apologies for forgetting the name of the requester, I’ve been rather busy of late.
Anyway the “Super Moon” we were all treated to this month seemed like a Prime opportunity to show some of the different settings.
For this exercise I shot in Black & White using Auto White Balance and Standard color with altered White Balance.
I’ve also included shots by way of comparison from my HS10 collection as a means to compare resolution between the two cameras. I’ve always had this nagging suspicion that the HS10, while an extremely slow camera has in actual fact got slightly better Image Quality.
After comparing images I think that in fact there isn’t enough difference between cameras to be noticeable.
Note: When shooting bright source objects such as the Moon, especially at full zoom, always use Spot Metering. Nothing else will give you a clean shot. In the case of the Moon meter on the brightest section visible. When shooting the Moon best results can be achieved by using Black and White Film Simulation.
First Up we have the HS10 images. These are followed by the HS20 images shot with Auto WB and in Black and White Mode.
Settings for the HS10 images were also B & W Film Simulation with spot metering . ISO 100,and a shutter speed of 1/250 for the full moon and ISO 100 with a shutter speed of 1/320 for the crescent moon.
The next in the series are images of the moon were taken this month. The partial Moon while a lot brighter than the crescent moon, still maintains a good amount of detail, as does the full moon after a bit of post processing. Processing of the Moon images when shot in B&W is limited to reduction of the glare by reducing the amount of Gamma, improving contrast in the grey tones and small amount of sharpen and a final increase in overall contrast.
The first image of the partial Moon was shot using Auto WB, manual settings ( not manual focus), B&W mode, 126mm, ISO 100, @ 1/160, F5.6
For the 2nd HS20 image, using Auto White Balance I switched to EXR SN mode at ISO 100. Film simulation was Astia converted to B&W. 1/280 sec @ F6.4 with EV-0.67. 126mm.
The 3rd image shows the Moon shot in Standard color mode, EXR SN, using the “Shade” white balance setting. This has the effect of warming the image, and the color is what you would expect after the Moon had risen only a small amount above the horizon. The First image is the shot straight from the camera and the second image is after processing. You can see that while focus is good and the shot is correctly exposed there is a lot of glare in the image. This is where gamma correction plays a very big part in the processing of the image, resulting in much better detail and contrast.
Processed, WB “Cloudy”
ISO 125, SN mode
ISO 160, SN mode
ISO 125, SN mode, processed.